Constantin Boundas. New York: Columbia UP, Francis Bacon: the Logic of Sensation. Daniel W. Cinema 1: The Movement Image.
Hugh Tomlinson and Barbara Habberjam. London: the Athlone Press, Hugh Tominson and Robert Galeta. London: The Athlone Press, What is Philosophy? Hugh Tomlinson and Graham Burcell.
New York: Columbia University Press. Massumi, Brian.
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London, New York: Routledge, Bogue, Ronald. Deleuze on Music Painting and the Arts. Deleuze on Literature.
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Deleuze on Cinema. Your email:.
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Academic year Tuesday afternoons, Rick Dolphijn Utrecht University Registration: osl-fgw uva. The novelist has the eye of a prophet, not the gaze of a psychologist. Likewise, our own enjoyment of literature ultimately transcends all notions of art theory, and remains fascinating to us.
So perhaps too, there can be no art without our failure to know why it is art, or why we are drawn to it or revere it. Our hermeneutics must account for the human limitations we impose on the artwork when we try to interpret its possible meanings.depmahyza.tk
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This is not to say that there is no intellectual worth, or indeed no intellectual pleasure in trying to identify the specific features or phenomena which account for the aesthetic experience; however, in doing so, we can only gain truths about Life as we perceive it. The radiant sights which leave Melville and the great writers short of breath and with bloodshot eyes attest to something less anthropocentric, and many times more complex, and overall healthier: nonhuman things, living within a nonhuman conception of Life.
Smith, D. Burchell, G.
Essays Critical and Clinical
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